Each category is a discipline with its own ratings, optics and constraints. We match international brands to the demands of the application — from the swim zone to the public realm.
Floodlighting for the mass. Linear tracing for the architectural lines — cornices, parapets, fins, soffit edges. Grazing for texture. Optics, IP/IK class, glare control and control systems specified against throw distance and sightline. Cut-off optics and tight beam control keep the light on the building, not in the sky — dark-sky compliant, zero upward spill.
Recessed, track and linear families for interiors where aperture size, beam control and colour rendering matter. Detailed to disappear into the architecture and to hold Ra and CCT across a scheme.
Field-cuttable stone-backlight panels and wet-rated luminous surfaces for translucent stone, ceilings and bespoke architectural features — engineered for even luminance across large spans.
(luminous stone, ceiling, custom surfaces)" width="1600" height="1000">IP68 immersion-rated linear and luminous surfaces for pools, fountains and submerged architectural reveals. Sealed, serviceable and specified for full immersion.
Heritage cast masts, lit columns and smart-ready Zhaga floodlighting for streets, public realm and conservation settings — from foundries with a century or more of casting behind them. Full cut-off optics keep the light on the street, not in the sky — dark-sky compliant, zero upward spill.
Hybrid CCR + PWM drivers with 16-bit, flicker-safe dimming for broadcast studios, HD CCTV and museum showcases — where the camera, not just the eye, is the judge.
